Category Archives: Reviews

Artist of the Week: Glitch Mob – Love Death Immortality

Piggybacking off the charm of lead single “Can’t Kill Us,” The Glitch Mob’s new album is sure to be a crowd-pleaser.

The trio of Ed Ma, Justin Boreta, and Josh Mayer formed The Glitch Mob in 2006 while each was busy DJing in California. 2010 saw the release of the spectacular debut Drink the Sea, and another four years has gifted us Love Death Immortality. Those who loved the crisp hip hop beats and dance floor vibes of Drink the Sea will undoubtedly feel back at home with Love Death Immortality, which replaces much of the introspection of the debut with the breakneck energy and euphoria of electronica’s current dubstep craze. Vocals are more prominent here as well, but they tend to be either be heavily augmented, buried in the mix, or scarce on the whole — all which play well with the group’s strong instrumental presence. Tracks like “Can’t Kill Us,” “Carry the Sun,” and “Skytoucher” are standout singles (some of which would fit comfortable inside the Tron soundtrack), but the album as a whole is also surprisingly coherent given the amount of genres the trio pulls from and styles they rotate through.

Although not for everyone, Love Death Immortality should be essential listening to fans of electronica, and given dubstep’s current influence of pop music today, The Glitch Mob is just a dedicated vocalist away from crossing into the mainstream.

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Artist of the Week: Austin Wintory – The Banner Saga OST

Austin Wintory blew us away in 2012 with his soundtrack to Journey, and independent video game, and this year he’s back with another wonderful soundtrack, The Banner Saga.

The Banner Saga, another indie game from Stoic Studios, raised 700k+ on Kickstarter to jump start the game’s development, as well as Wintory’s score. It is apparently a pretty good turn-based RPG (akin to Fire Emblem or Ogre Tactics, for those into these types of things); a view of the game play may aid in putting the score in context. Those intimate with Journey’s smart, sophisticated soundtrack may be swoon over Wintory’s smooth transitioning and his masterful balance of styles within the game’s score, all fitting perfectly with Journey’s game play. By contrast, The Banner Saga is more of a rough-and-tumble game, and the score is much more blunt with its compositions, as it evidenced with its more direct approach and even the addition of singers (which tie in well with the Medieval imagery).  Nonetheless, Wintory is sure to pull from his strengths, from the somber and effective “Long Past the Last Sigh” to the energetic finale of “Strewn Across a Bridge” — and let’s’ not forget the score’s cornerstone, “Of Our Bones, The Hills.” Quite ambitious in nature, Wintory scores another hit with The Banner Saga and once again leaves us craving more.

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Talquin – Tomorrow’s Calm

Now that we’re a full month into 2014 we can close the book on 2013 and start digging into the year’s fresh, new music. Our first notable discovery of the year is Talquin’s Tomorrow’s Calm. Talquin is a trio that works between the cities of Melbourne, Miami, and Boston, but the distance doesn’t prevent them from churning out some great tunes. Tomorrow’s Calm is their debut album, released earlier this month, and it’s full of emotive tracks teetering the line between ambient and post-rock, with plenty of classical instrumentation making appearances (violin is featured on at least half the tracks by my count)  to keep things interesting. Clocking in under 35 minutes, the album doesn’t overstay its welcome; there’s a lo-fi charm to the production which keeps the listener engaged, and the variety in arrangements provides an engaging listen throughout. Fans of Hammock, The American Dollar, and To Destroy a City should take note. Talquin has arrived.

Artist of the Week: Ex-Easter Island Head – Large Electric Ensemble

Liverpool’s Ex-Easter Island Head has been notching up releases on Low Point over the past few years (this being the ensemble’s fourth release) without garnering much attention outside of the UK. Large Electric Ensemble will hopefully change all that.

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