“Lambeth” will be the opening track on the fourth installment of Hyperdub’s compilation series Hyperdub 10.4.
“Lambeth” will be the opening track on the fourth installment of Hyperdub’s compilation series Hyperdub 10.4.
Mush Records has posted a new track from Sun Glitters. “I Tear You Apart” is from the new EP, Fading Days.
Australian up-and-coming producer Loston has posted a new track on his soundcloud page. Check out “Next Exit” below.
Some may remember Slow Magic and the magnificent Triangle EP from 2012. Since then, Slow Magic has been touring the world and working on some new james. He recently released a new single from his forthcoming album on Downtown Records. Stream “Girls” below.
Tapes will be releasing his debut album, Finding, this August. Check out the first single “Waiting” below.
More of his music can be streamed over at Bandcamp.
Sometimes a music video is basically a short film.
Here’s Ben Dawkins’ take on Burial’s “Rival Dealer.”
DEALER from Ben Dawkins on Vimeo.
Jan Amit is an Russian electronic artist who released his debut album, Around and Above, at the end of last year. Fans of downtempo/dubstep/chillwave should check it out. It’s also available on vinyl.
The Walton Hoax has posted a remix of Pixel Fix’s “Fall”. Check it out below.
Pixel Fist’s Fall EP comes out next week.
InFine Musichave announced that Downliner’s Sekt will be releasing a new album, Silent Ascent, this April. Check out the title track below.
Piggybacking off the charm of lead single “Can’t Kill Us,” The Glitch Mob’s new album is sure to be a crowd-pleaser.
The trio of Ed Ma, Justin Boreta, and Josh Mayer formed The Glitch Mob in 2006 while each was busy DJing in California. 2010 saw the release of the spectacular debut Drink the Sea, and another four years has gifted us Love Death Immortality. Those who loved the crisp hip hop beats and dance floor vibes of Drink the Sea will undoubtedly feel back at home with Love Death Immortality, which replaces much of the introspection of the debut with the breakneck energy and euphoria of electronica’s current dubstep craze. Vocals are more prominent here as well, but they tend to be either be heavily augmented, buried in the mix, or scarce on the whole — all which play well with the group’s strong instrumental presence. Tracks like “Can’t Kill Us,” “Carry the Sun,” and “Skytoucher” are standout singles (some of which would fit comfortable inside the Tron soundtrack), but the album as a whole is also surprisingly coherent given the amount of genres the trio pulls from and styles they rotate through.
Although not for everyone, Love Death Immortality should be essential listening to fans of electronica, and given dubstep’s current influence of pop music today, The Glitch Mob is just a dedicated vocalist away from crossing into the mainstream.